Surface develops through shifting layers of texture, color, and partially recognizable detail. Elements gather and fade across the moving image, creating a visual field that seems simultaneously present and difficult to hold.

The work draws on the instability of memory: the way fragments can remain vivid while their context changes, disappears, or becomes reconstructed over time. Textures overlap and recede, allowing one visual impression to interrupt or partially obscure another.

Rather than illustrating a specific recollection, Surface considers memory as a continually changing structure. The moving image becomes less a record of what happened than a space in which traces persist, disappear, and return—suggesting that what we remember may be inseparable from the surfaces through which we encounter it.